Condividi Share on FacebookTweet about this on TwitterShare on Google+



speaker womens fiction festival
Silvia Meucci - Agenzia letteraria Meucci Agency

Silvia Meucci (Milan, 1963) has worked in the publishing industry for 30 years, first in Italy and then Spain. In 2012, on her return to Milan and with her Spanish business partner Alberto Suárez, she launched her own literary agency specialised in representing Spanish and Italian authors (fiction and non fiction) in their respective national and foreign markets. The agency works as a co-agent for Spanish authors in Italy and is also very active in the promotion of audiovisual rights for authors. To find out more visit www.meucciagency.com




speaker womens fiction festival
Anita Pietra
Editor Fabbri Rizzoli

Pitch available only in Italian.




speaker womens fiction festival
Michela Gallio
Editor Solferino libri

Pitch available only in italian.




speaker womens fiction festival
AIice Fornasetti
Grandi & Associati Literary Agency

Pitch available only in italian.




speaker womens fiction festival
Julia Churchill - AM Heath Literary Agency
AM Heath Literary Agency

I'm looking for debut and established children's book authors, from picture book texts right up to YA fiction.




speaker womens fiction festival
Francesca Guido
Editor DeA

Pitch available only in italian.




speaker womens fiction festival
Sabine Erbrich
(ITA) Editor Suhrkamp

to be up dated




speaker womens fiction festival
Chiara Moscardelli
Editor Baldini & Castoldi

Pitch available only in italian.




speaker womens fiction festival
Monique Patterson
San Martin's Press editor

Women’s Fiction Historical: Commercial historical fiction about or based on figures who have been lost or swept from the history books. Stories with sweeping stories from American, African, or Caribbean history. Must have strong appeal for US audiences. Examples-Daughter of a Daughter of a Queen by Sarah Bird, America's First Daughter by Stephanie Dray & Laura Kamoie. Contemporary: Romantic comedies with slightly larger storylines. Examples- Crazy, Rich Asians by Kevin Kwan, Match Making for Beginners by Maddie Dawson, The Wedding Date by Jasmine Jasmine Guillory and The Kiss Quotient by Helen Hoang. Paranormal/Fantasy with larger, sweeping storylines and a strong romance at the center. Must have strong commercial appeal. Examples-A Darker Shade of Magic by V. E. Schwab, Song of Blood and Stone by L. Penelope and Tiger's Daughter by K. Aresenault Rivera. Romance-historical (Regency, Victorian, Scottish) and contemporary. Non-fiction: Commercial histories about figures who have been lost or swept from the history books. Stories with sweeping storylines. Must have strong appeal for US audience. Examples: Hidden Figures by Margot Lee Shetterly, The Immortal Life of Henrietta Lacks by Rebecca Skloot.




speaker womens fiction festival
Gregory Messina
Linwood Messina Literary Agency

I am looking to represent most kinds of fiction from very commercial to literary and everything in between including thrillers/suspense and historical fiction.  I'm more averse to representing YA, science fiction and fantasy only because I'm not as familiar with these genres.  It all comes down to my need to fall in love with the story and the writing.